In Print


2018  “Toyin Ojih Odutola: To Wander Determined,” (at the Whitney Museum of American Art)  NKA: Journal of Contemporary African Art 42-43 (Nov 2018).[odutola_final]

2017  “Exhibition: Rubin Museum of Art—Henri Cartier-Bresson: India in Full Frame,” Museé (online), June 6, 2017;

2017 “Disguise: Masks and Global African Art” (Brooklyn Museum); NKA: Journal of Contemporary African Art 40 (2017): 102-105. [link]

2017  “Feminist Art: Kitchen Testimony,” in The Taste of Art: Food, Cooking, and Counterculture in Contemporary Practices, ed. Silvia Bottinelli and Margherita d’Ayala Valva (U. Arkansas Press, 2017).

2017  Outer Limits and Earth: Gender Spins in Two New York Exhibitions,” (Genesis Breyer P-Orridge, Rubin Museum of Art; Nicole Eisenman, New Museum of Contemporary Art; 2016) Journal of Homosexuality, 64/12 (2017): 1745-1751; link and scroll down to see preview.

2016 “Kehinde Wiley: A New Republic,” (exh. rev.) NKA: Journal of Contemporary African Art 38-39 (Nov. 2016): 220-223. [link]

2016  “ The Feminist Burn of Willie Cole’s Iron Art,” International Review of African American Art [below: IRAAA], 26/3 (Fall 2016): 24-27.

2016  “Kehinde Wiley: 3-D,” International Review of African American Art [IRAAA] 26/2 (Summer 2016):  52-55.  [Wiley_3D]

2014 “Wish You Were Here: Artist Postcards at the Studio Museum in Harlem,” IRAAA 25/1 (Fall 2014): 56-59. JBC_SMH_Postcards

2014 “Carrie Mae Weems: Three Decades of Photography and Video at the Guggenheim Museum; The Museum Series at the Studio Museum in Harlem,” (ex. rev.) Afterimage: the Journal of Media Arts and Cultural Criticism [Afterimage] 41/6 (May/June 2014): 34-35.

2013  “Identity Inside Out: Paul Anthony Smith” (ZieherSmith Gallery, NY), 29-33; and “LaToya Ruby Frazier” (The Brooklyn Museum), 55-56; IRAAA 24/3 (Sum 2013; ex. revs.) .

2012 “Makeup and Art,” (ex. revs., Cindy Sherman and Sanja Ivekovic at MoMA) Afterimage 40/1 (July/Aug 2012): 31-32.  Make-Up and Art

2012 “Kehinde Wiley/The World Stage: Israel,” (ex. rev., at The Jewish Museum, NY) IRAAA 24/1 (2012): 7. Cutler_Wiley

2011 “Narcissus, Narcosis, Neurosis: The Visions of Yayoi Kusama,” in Contemporary Art/Classical Myth, ed. Jennie Hirsh, Isabelle Loring Wallace (UK: Ashgate Press).

2011 “Girl Talk” (Jessica Ann Peavy: Emergency Contraception [videos], (Colette Blanchard Gallery, NY), 22-23; and, “Dada Diaspora” (Deep Impressions: Willie Cole Works on Paper, James Gallery, CUNY Grad Center, NY), 28-29; Afterimage 38/5 (Mar/Apr 2011; ex. revs.).  Cutler_Peavy

2010 “Derrick Adams: Building a Body of Art,” (ex. rev., at Colette Blanchard Gallery, NY); 21-25; IRAAA 24/2 (2010). Cutler_Adams

2009 “Art Revolution: Politics and Pop in the Robert Colescott Painting George Washington Carver Crossing the Delaware,” Americana: The Journal of American Popular Culture, 8/2 (Fall 2009).

2009 “A Lineage is not a Category: Recent Art by African American Women in New York City,” (ex. revs.) 38-42; “The ‘One-Two Punch’: Robert Colescott 1925-2009,” 64; IRAAA 22/4 (2009).

2009 “In Appreciation of Robert Colescott,” Art Ltd. Magazine (Sept/Oct 09), 39.

2009 “The Kusama Myth,” (ex. rev., at Gagosian Gallery, NY) Artnet Magazine May 28, 2009.

2009 “The Magnification of Space,” (revs. of three photography exhibitions, NY) Afterimage 36/6 (May/June 2009): 20-23.

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Snapshot reactions (contemporary art & other) by Jody B. Cutler-Bittner (art historian/educator). Search artists, galleries, museums, etc., below (and "enter").